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panels [wood] --- Painting --- iconography --- John the Baptist --- anno 1400-1499 --- Germany --- Art --- Staatliche Kunsthalle Karlsruhe --- Altaarstukken [Gotische ] --- Altarpieces [Gothic ] --- Gothic altarpieces --- Gotiek-altaarstukken --- Gotiek-retabels --- Gotische altaarstukken --- Gotische retabels --- Retabels [Gotische ] --- Retables gothiques --- gotiek --- religieuze kunst --- devotiestukken --- christelijke iconografie --- Johannes de Doper --- 15de eeuw --- panels [visual works supports] --- John, the Baptist --- Altarpieces --- Karlsruhe (Germany) --- Schilderkunst --- iconografie --- panelen [hout] --- Johannes Baptista --- Duitsland --- panel [wood by form] --- Johannes de Doper. --- 15de eeuw. --- Christelijke kunst --- Duitse school

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Art styles --- Sculpture --- carvings [visual works] --- personal property --- retables [altar appendage] --- private collections [object groupings] --- sculpting --- Medieval [European] --- Gothic [Medieval] --- retabels --- beeldhouwkunst --- Antwerpen, privé-collectie --- anno 1200-1499 --- anno 1300-1399 --- anno 1400-1499 --- anno 1500-1599 --- Antwerp

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Cut in Alabaster' is the first comprehensive study of alabaster sculpture in Western Europe during the late Middle Ages and Renaissance. While marble is associated with Renaissance Italy, alabaster was the material commonly used elsewhere in Europe and has its own properties, traditions and meanings. It enjoyed particular popularity as a sculptural material during the two centuries 1330-1530, when alabaster sculpture was produced both for indigenous consumption and for export. Focussing especially on England, the Burgundian Netherlands and Spain, three territories closely linked through trade routes, diplomacy and cultural exchange, this book explores and compares the material practice and visual culture of alabaster sculpture in late medieval Europe. 'Cut in Alabaster' charts sculpture from quarry to contexts of use, exploring practitioners, markets and functions as well as issues of consumption, display and material meanings. It provides detailed examination of tombs, altarpieces and both elite and popular sculpture, ranging from high status bespoke commissions to small, low-cost carvings produced commercially for a more popular clientele.

Sculpture --- sculpture techniques --- alabaster [mineral] --- anno 1400-1499 --- anno 1300-1399 --- anno 1500-1599 --- Europe --- Alabaster --- Alabaster sculpture --- Quarries and quarrying --- Alabaster sculpture, English --- Sculpture en albâtre anglaise --- albast --- geschiedenis --- graftombes --- handel --- middeleeuwen --- religieuze kunst --- renaissance --- retabels --- De Siloé, Gil --- Meester van Rimini --- 1330 - 1530 --- 14de eeuw --- 15de eeuw --- 16de eeuw --- Europa --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak) --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- graftombes. --- geschiedenis. --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak). --- religieuze kunst. --- albast. --- handel. --- retabels. --- Meester van Rimini. --- De Siloé, Gil. --- 1330 - 1530. --- 14de eeuw. --- 15de eeuw. --- 16de eeuw. --- Europa.

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History --- Painting --- altarpieces --- liturgy --- schilderij in schilderij --- retables [altar appendages] --- anno 1400-1499 --- anno 1500-1599 --- Belgium --- Netherlands --- Altaarstukken --- Altarpieces --- Predella's --- Predellas --- Prédelles --- Reredos --- Retabels --- Retables --- Tableaux d'autels --- Painting, Dutch --- Painting, Flemish --- Altarpieces, Flemish --- Peinture hollandaise --- Peinture flamande --- Retables flamands --- Themes, motives --- Thèmes, motifs --- Flemish painting --- Dutch painting --- Screens (Church decoration) --- Themes, motives. --- retables [altar appendage] --- Thèmes, motifs --- Painting, Netherlandish --- Netherlandish painting --- Painting [Dutch ] --- Painting [Flemish ] --- Nederlandse school

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Het Museum Mayer van den Bergh in Antwerpen bezit een van de vijf panelen in zijn permanente collectie. De andere stukken bevinden zich in het Cleveland Museum of Art, in het Musée d'Art et Histoire de Genève en in een privécollectie in Madrid. Stuk voor stuk worden ze beschouwd als meesterwerken. Samen met het deel dat behoort tot de collectie van Museum Mayer van den Bergh, wordt het stuk van Belgrado gerestaureerd en fysisch onderzocht. De twee panelen worden daarbij samen behandeld en aan elkaar getoests.

restauratie (kunst) --- retabels --- restoration [process] --- Conservation. Restoration --- retables [altar appendages] --- Art --- Juan de Flandes --- Mayer van den Bergh Museum [Antwerp] --- Painting, Flemish --- Peinture flamande --- Juan, --- Exhibitions. --- Musée Mayer van den Bergh --- Vlaamse Primitieven --- altaarstukken --- Johannes de Doper --- 15de eeuw --- 75.07 --- 75.033.5 --- 75.034 --- (069) --- Schilderkunst ; 1499 ; Juan De Flandes ; Mirafloresretabel --- Schilderkunst ; eind 15de - begin 16de eeuw ; Juan De Flandes --- De Flandes, Juan (echte naam ?) ca 1465-1519 (°Vlaanderen) --- Juan Flamenco --- Kloosters ; Spanje ; Burgos ; Miraflores Kartuizerklooster --- Schilderkunst ; Spanje ; Burgos ; ca 1500 ; Miraflores altaarstuk --- Tentoonstellingscatalogi ; Antwerpen ; Mayer van den Bergh --- Iconografie ; christelijke ; Johannes De Doper --- Schilderkunst ; schilders --- Schilderkunst ; Late-middeleeuwen ; Gotiek --- Schilderkunst ; Renaissance. Barok. Rococo --- (Musea. Collecties. Tentoonstellingen) --- Exhibitions --- retables [altar appendage] --- Musée Mayer van den Bergh --- Vlaamse primitieven --- Vlaamse primitieven. --- altaarstukken. --- Juan de Flandes. --- Johannes de Doper. --- 15de eeuw.